Wednesday, April 11, 2007

Will The Biggest Racist Please Stand Up?

By: Bobby Eberle

America’s racial “crusaders,” Jesse Jackson and Al Sharpton, are at it again. If there’s a racial injustice to right, they are on the scene to save the day. But… who is doing the saving, and who is doing the self-promoting? If Jackson and Sharpton really cared about ridding America of words and actions which are degrading to women, they would realize that Don Imus’s idiotic comments are small potatoes.

The other day on his radio program, talk show host Don Imus referred to the women of Rutgers University’s basketball team as “nappy-headed hos.” The comments set off a fire storm of reaction, which led Jackson and Sharpton to enter the scene.

The fact of the matter is that Imus’s comments are wrong and have no place on the airwaves. Racial slurs are not a “joke,” and Imus’s crude remarks should be rebuked. That’s why Jackson and Sharpton are stepping forward… to be the champions of racial and gender justice, right? Not so fast…

The good “reverend” Al Sharpton has a history of using racial attacks to further his cause. As noted in the 2003 column by Jeff Jacoby, in 1987 Sharpton spread a hoax that a 15-year-old black girl was “abducted, raped, and smeared with feces by a group of white men.” Sharpton singled out one particular white man, saying, “If we’re lying, sue us, so we can . . . prove you did it.” The man does sue and wins $345,000.

Jacoby also notes other incidents in his column, including:

1991: A Hasidic Jewish driver in Brooklyn’s Crown Heights section accidentally kills Gavin Cato, a 7-year-old black child, and antisemitic riots erupt. Sharpton races to pour gasoline on the fire. At Gavin’s funeral he rails against the “diamond merchants” — code for Jews — with “the blood of innocent babies” on their hands. He mobilizes hundreds of demonstrators to march through the Jewish neighborhood, chanting, “No justice, no peace.” A rabbinical student, Yankel Rosenbaum, is surrounded by a mob shouting “Kill the Jews!” and stabbed to death.

1995: When the United House of Prayer, a large black landlord in Harlem, raises the rent on Freddy’s Fashion Mart, Freddy’s white Jewish owner is forced to raise the rent on his subtenant, a black-owned music store. A landlord-tenant dispute ensues; Sharpton uses it to incite racial hatred. “We will not stand by,” he warns malignantly, “and allow them to move this brother so that some white interloper can expand his business.” Sharpton’s National Action Network sets up picket lines; customers going into Freddy’s are spat on and cursed as “traitors” and “Uncle Toms.” Some protesters shout, “Burn down the Jew store!” and simulate striking a match. “We’re going to see that this cracker suffers,” says Sharpton’s colleague Morris Powell. On Dec. 8, one of the protesters bursts into Freddy’s, shoots four employees point-blank, then sets the store on fire. Seven employees die in the inferno.

Jesse Jackson, the other “reverend,” has an equally infamous past when it comes to racial attacks, particularly against Jews. As noted in a Larry Sabato column, Jackson has had a tenuous relationship with America’s Jewish community dating back to his “Hymietown” comment:
Rev. Jesse Jackson referred to Jews as “Hymies” and to New York City as “Hymietown” in January 1984 during a conversation with a black Washington Post reporter, Milton Coleman. Jackson had assumed the references would not be printed because of his racial bond with Coleman, but several weeks later Coleman permitted the slurs to be included far down in an article by another Post reporter on Jackson’s rocky relations with American Jews.

And these two are now purporting to be the spokesmen for injustice against black women? If they truly cared about getting degrading words against women pulled off the airwaves, as they appear to want in going after Imus, they would shift their focus to the rap music industry.

As covered in Michelle Malkin’s latest column, the current rap songs at the top of the charts are littered with racial and gender slurs at least equal to Imus’s. These “songs” are played over and over and over again. They sink into the minds of young listeners everyday. What kind of culture does Sharpton and Jackson think it promotes? Treating women fairly? Treating women as equals? No… and yet Jackson and Sharpton will spend countless hours attacking a white man and ignore an entire industry that is doing so much damage to young blacks.

The media need to stop turning to the likes of Sharpton and Jackson as if they were the racial police. Stop giving them a platform, and maybe they will just go away. Their words have no meaning, and their credibility is less than zero.